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Sunset Landscape Ma Lin Tao Journal-Lined 7x9 Coptic Bound
[J-128-0005]

$21.00

This lined blank Tao-Art Journal glorifies ink landscape painting, at its very finest, in the Sung Dynasty Tao-Artist tradition. Featuring reproductions from River Landscape in Sunset Glow by the renowned Tao-Artist Lin, this Coptically Stitched journal is a certain masterpiece in its own right. Great for journaling on the go, the hand-stitched binding allows every page to lay perfectly flat. The Sunset Landscape Ma Lin Tao Journal also features a Expanding Souvenir Pouch at the back to keep all of those loose odds and ends in one easy-to-access place, and an elastic end-leaf enclosure to mark your place or enclose the entire book. Ideal with our genuine bamboo pens. Also available in an unlined version perfect for free-form writing or a finely-milled version ideal for drawing.

Front Cover Close up: Sunset Landscape Ma Lin Tao Journal.
Back Cover View: Sunset Landscape Ma Lin Tao Journal.
Sunset Landscape Ma Lin Tao Journal Details
Measuring 7 x 9 x .6 inches, the journals covers are high quality, silky smooth, matte varnish finished Tao-Art reproductions of River Landscape in Sunset Glow mounted on archival boards, traditionally hand-bound in a Coptic fashion. Inside are 128 softly lined, wide-ruled, archival quality, pH balanced, acid-free, lignin-free, cream colored pages; and in the back is a handy Expanding Souvenir Pouch, all held together with an elastic closure.

About the Tao-Artist Lin
Tao-Artist Lin (1194-1264), son of the grand master teacher and painter Ma Yuan, lived in Hangchow, China. Lin and his father Ma Yuan were by far the most important and appreciated in a long family line of influential and prominent painters. A master painter of landscapes, Tao-Artist Lin also liked to pair poetry, written by prominent writers at the time, along with his works. Included in Chinese and in English, on the journal artwork, is a poem by Tang Dynasty Poet and Tao-Artist Wang Wei with reads:

Mountains hold
the autumn colors near;
Swallows cross
the evening sun slowly.

Lin was especially known for having great influence in the Tao-Art movement specifically in the painting of asymmetrical images, especially sky, water, and clouds often with abbreviated brushwork and evocative washes of ink. The asymmetry of River Landscape in Sunset Glow gives great focus to the smoky sunset that, in a most uncomfortable way, obliterates the distinction between sky and water; only when the observer draws their attention away and to the shoreline, or upon closer observation to the tiny Swallows that glide in the foreground, does one take comfort. The original work was produced in ink and color on silk album leaf mounted together with calligraphy, in a hanging scroll.

Typical of his best work and beautifully reproduced in a silky matte finish on the journals front and back covers, Sunset Landscape Ma Lin Tao Journal is the quintessential Tao-Art masterpiece. In virtually indistinguishable and nearly continuous brushstroke, Lin paints River Landscape in Sunset Glow with such solitude, majesty, and distinction; bringing focus to the harmonization of one’s personal being with the natural harmony and justice of nature. The best Tao-Art reveals inexhaustible nothingness; Nature is stabilized by order, and everything, humans included, exist within Nature. Through Tao-Art we see that the universe is singular and can't be divided. Trying to change Nature, especially through art, would ruin it–just as trying to paint every possible detail into a sunset would spoil it–we must understand and be in harmony with Nature's essence.

About the Paper
Lovely, smooth, acid-free, lignin-free, extra-thick, cream colored pages fill the journal; this, along with a superior binding method, give our book a long term archival survivability of over 100 years! The inside paper is superiorly engineered and ideally suited for modern writing instruments such as: ballpoint pens, rollerball pens, gel pens, marker pens, most technical pens, and pencils; writing with these instruments is exceptionally smooth. Bleed through is not a problem as the paper is 5.5 mil thick. Due to the archival engineering of the paper, some Sumi inks may not form an even spread on the page. While some fountain pens write just fine on this paper, we recommend modern pen or pencil, as non-modern era inks work best on paper manufactured just for calligraphy.

Detailed View: Using the River Landscape in Sunset Glow Expanding Souvenir Pouch.
Expanding Souvenir Pouch
A large Expanding Souvenir Pouch in the back of the journal is ideal for storing odds and ends, money, your passport, plane tickets, a small book, photos, and whatever else you want to tuck away–very handy! While this 8.5 x 6 inch cloth gusseted Expanding Souvenir Pouch expands to a full 1.5 inches at its opening, and is technically large enough to fit a whole turkey sandwich, we don't recommend using your journal as a replacement for a lunch box, as your lunch would get smashed to the size of a pancake! Editor's Note: I can easily fit my quarter inch thick pocket museum guide (which is too big to fit in my pocket!) into the Expanding Souvenir Pouch–as the Coptic Book Binding has the ability to withstand the added .25 inch thickness without breaking the book–no modern binding would do that!

About the
Detailed Spine View: Coptic Book Binding Benefits.

Close up View (above): River Landscape in Sunset Glow Coptic Book Binding Hand-stitching Detail.

Benefit of Coptic Book Binding: Lays Perfectly Flat for Ease of Writing.
Sunset Landscape Ma Lin Tao Journal's Coptic Book Binding
Coptically Stitched journals are ideal for writing, either right or left handed, on either side of the page. Coptic Book Binding was introduced in the far east more than 2000 years ago and is a MORE DURABLE binding method than standard adhesive or modern sewn bindings. If you removed the cover on a modern bound book, it would be very evident why many binding methods fail–they are not bound by a means that will withstand extended use. The fact that Coptic Book Binding doesn't need to rely on any additional, and mostly cosmetic, coverings over the spine is apparent the moment you open the journal. The extremely thick thread used in Coptic Chain Stitching, is six times the size of threads commonly used in modern binding techniques, and provides great advantages when no paper, cloth, or other encumbrance is needed over the bound edge. Coptically Stitched journals serve the needs of writers and readers better; lending to comfortable handing and the long term archival qualities of the book.

Coptic Chain Stitching is a unique looking non-adhesive hand-stitched binding method introduced during the 4th century A.D. in ancient Egypt by the Copts and followers of the Christian Coptic Church. Various forms of Coptic Chain Stitching techniques have remained popular for over 1500 years and are still in use today. The spine of the book is usually left exposed when a Coptic Chain Stitching technique is used. The type of knot that is used in the journals and blank books JournalsandBooks.com sells is called a chain stitch, and it is appreciated by bookmakers and booklovers alike for its intricate beauty. Chain stitching allows the book to open a full 360 degrees without damage to the book! While machines can be used to sew a coptic stitch, hand-stitching is still preferred; as such, this journal is completely hand-stitched. The combination of an open-backed binding method and the braided look of a coptic stitch yields an attractive and interesting journal.

Coptic Chain Stitching uses separate threads in pairs or groups. Waxed linen thread is used for ease of handling. Pages are grouped together into signatures, which is common to most methods of book making. The greatest advantage to Coptic Chain Stitching is the ability of the book to open and lay completely flat with no stress on the spine and no damage to the book. Sketchbooks and journals are ideally bound using Coptic Chain Stitching as artists and writers especially enjoy unfettered access to the entire page without bending at the spine. Journal pages and signatures hold tight, and do not shift around loosely without the use of glue or posts, yielding a durable archival quality book.


Hanging scroll, ink and color on silk. River Landscape in Sunset Glow by Tao-Artist Lin; Tao-Art courtesy Nezu Institute of Fine Arts, Tokyo, Japan

Available Options
Cover Personalization:
none
Front
Back
Imprint Color (optional): (view)
Imprint Text Line 1: max 20 (+$9.00)
Imprint Text Line 2: max 20 (+$9.00)
Inside Nameplate/Inscription:
(adhesive mounted +$1.00)
Note Card:
( +$1.00)
Wrap as Gift: (view)
Product Specifications
Archival Qualities: acid-free lignin-free paper over archival boards: archival rated over 100 years
Binding: handstitched coptic-bound
Book Format: portrait
Color: covers: matte finish art reproductions with black and red ink on golden silk and black borders; pages: cream, endpapers and pouch: pumpkin
Crafted By: traditionally handcrafted in China
Dimensions: 7 x 9 x .6 inches (width x height x depth)
ISBN: 1-55156-220-0
ISBN-13: 978-1-55156-220-9
Manufacturing Details: The manufacturer promotes conservation of resources, like recycling, using recycled materials, turning off computer monitors, and minimizing waste and participates in a CO2 offsetting program with Climate Care whereby they pay a self-imposed carbon tax proportional to their greenhouse gas releases. Those funds are used to invest directly into projects and technologies that help reduce greenhouse gas (GHG) emissions in the developing world.
Materials: The paper used to manufacture this book is acid free and derived from sustainable forest pulp, and the binder boards are made with 100% recycled materials.
Number of Pages: 128 pages (64 sheets)
Page Style: widely ruled with subtle micro-dot lines
Paper Type: heavy 5.5 mil caliper, acid-free, low-lignin cream colored stock
Quality Rating: finely handcrafted
UPC Code: 064810302204
Notes: makes a great Asian inspired gift idea
This product was added to our catalog on Wednesday 14 March, 2007.
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